“Fuckin Up The Count” has Gibbs arguably in the best form we’ve yet to see as he raps furiously and meticulously to create a song that fits his persona well. The expansion of his sound can be heard as Gibbs emotionally gets deeper and darker to paint a portrait of his standpoint in life thus far. He even gives his opinion on how he thought his short lived stint with Interscope would pan out for him.ĭespite not receiving much acclaim on a mainstream level, Gibbs’ music has gone on to reach new heights. This aspect begins right from the opening track, “Rearview”, where Gibbs reflects on past issues that occurred in his life. That nature helps give a better insight in regards to the mental and social standpoint that Gibbs is at throughout most of this album. The aggressive and blunt nature that usually surrounds a Gibbs project is present on here, but in a more profound way. GIbbs paints the picture that he is trying to leave his current lifestyle while simultaneously trying to create a new and better one. Shadow of a Doubt shows Gibbs revealing his thoughts and views on life in a more personal level than he has shown before. Though Gibbs did receive some attention, it wasn’t enough for a polished talent who has increased their quality of music ever since they’ve entered the rap game. Coming off a critically acclaimed album with Madlib entitled, Pinata, Gibbs should’ve received more attention from the masses. wrapped in the sweet aromatics." + love that combo of woozy bump and synth wheeze and serious guitar and piano on the verse.Freddie Gibbs might be one of the most overrated artist in rap music today. YEAH I'M ON MY J-O ten packs of backwoods that's how my day go, d-edge showing admirable interest in sticking to the theme, "trainwreck in them honeyberries / put bananas with that bubba / o.g. AND WHEN I DIE BURY ME RIGHT BY MY BITCH MARY JANE
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